Archive for the ‘Buddy Holly’ Category
Buddy Holly

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Real Buddy Holly Story [VHS]ReviewsAlthough I didn't find the movie "The Buddy Holly Story" too insulting (I never knew the bloke), I can understand why those who did in fact have some connection with him, want to put the record straight. "The Real Buddy Holly Story" is a pretty standard music documentary, which I must confess I will always be a sucker for. Although I found it didn't bring to life anything overly insightful, it contains some great interviews with many music icons, particularly a couple with "Keef" Richards of the Stones. It is always great to see his clouded intellect in full flight, during his hazy heights of the seventies. However, the interviews I found the most personal and interesting, were those of his two brothers. What wonderful Texan country folk they are, and their memories of their great brother are indeed grounded and humane. For any Buddy Holly fan, the brief live vintage footage alone, makes this worthwhile watching, not to mention the live playing of Jerry Allison. What an underated drummer and so crucial to the sound of The Crickets. Anybody who has an interest on Buddy's impact or his music, will be more than happy with what this documentary has to offer. I am a middle school music teacher, and I bought this movie to add to my history of rock and roll unit. I was torn between "The Buddy Holly Story," with Gary Busey (which I've seen before and is great), and this one. In the end, I chose the "Real" version, because it is more historically accurate. It certainly is, but was comprised of mainly interviews, and a few clips of Buddy and the Crickets concert footage. I was disappointed, because I thought Paul McCartney would make a more exciting tribute to Buddy Holly. So, in short, factual and boring: yes, exciting and stimulating: no. Interviews with family, friends, colleagues, and music industry leaders of 1950s make this as close to an autobiography as we're ever going to get from Buddy Holly, especially as it was produced only 20 or so years after his death. It's been 50 years since this talented 22 year old left us tragically, and still we ponder the unanswerable question "what if?" This documentary sets the facts straight even if the details will always be open to interpretation, if only because each person's perception is their reality. One person will remember an event as evidence Buddy was brash and stubborn, while for another it proved he was sweet and polite; truth is in the eye of the beholder. The lyrics to one of Buddy's final songs, That Makes It Tough, have become haunting in retrospect. "Memories will follow me forever, though I know my dreams cannot come true." And that's the impression of Buddy that I was left with by the people interviewed: an ambitious and talented "good ol' boy" from Lubbock, focused on his dreams, worthly of being remembered as fully human and not just a musical legend. As Paul McCartney expresses it at the beginning of this fine documentary, he was dissatisfied with the version of the Buddy Holly story as told in the movie by that name, and hoped in this film to tell THE REAL BUDDY HOLLY STORY. He therefore set out to interview as many of the people who were either friends or family or fellow musicians and who are still alive. If you have read John Goldrosen's highly regarded biography THE BUDDY HOLLY STORY there will be little here that is unfamiliar, but it is always great to see film footage, some of it very raw, that can, of course, never be contained inside a book. The documentary manages a pretty balanced view of Buddy's life, though it politely skips over some of the more controversial aspects of his life, such as the somewhat acrimonious breakup of the Crickets near the end of Buddy's life and the complexities created by Buddy marrying a Hispanic female at a time when such a thing was pretty unusual. The film also ignores or minimizes other aspects of Buddy's life. For instance, there is some mention of his religious convictions, but no indication of how deep those were. In fact, Buddy remained a devout Baptist throughout his short life and even tithed to the church (giving 10% of your income to your local church). At the end of his life he was forming plans to record a collection of religious songs. Items like this are usually left out of accounts of Buddy's bio. Still, this film has a lot of great footage and some wonderful interviews with a lot of great people, not just people who knew and performed with Buddy, but some who were deeply influenced by him, like Keith Richards. McCartney is a solid if not terribly penetrating interviewer (his position in the rock world would prevent his asking any uncomfortable questions, such as probing for details about the reputed fight between Buddy and a bandmate before appearing on Ed Sullivan). The one thing that I've always regretted was just how little quality film footage there is of Buddy Holly performing. We've a lot a photographs and a satisfying number of studio recordings, but few recordings of Buddy performing live. Even one of the sequences found in this film shows Buddy lip synching rather than performing live. The film does include a great deal of rather raw footage, where we get visuals of Holly performing with either inadequate or no audio. There may someday be a better documentary film about Buddy Holly, but it is unlikely that we will ever see one with as much first-rate original interview footage. And no film is likely to do a better job of documenting just how central Buddy Holly was to the development of rock music in the early sixties, when bands like the Beatles, following the example of Holly, started writing their own songs instead of doing covers of those written by others. It has often been stated that of all the deaths of performers in the history of music in the rock era, it was Holly's that most impoverished our culture. Only 22 at the time of his death, Holly could well have taken our music in completely new directions. We'll never know what he might have done, but what he actually accomplished was extraordinary. Anyone who was a Buddy Holly fan, this DVD is excellant to have. There is real footage, that will bring you back to that era. Paul McCartney did a wonderful job. This is the best DVD on the market. Only wish there was more live footage, but Buddy died at the height of his career, so this is all that has been around. Worth every penny! Average Rating:![]() |
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Buddy Holly Story [VHS]ReviewsGary Busey did an excellent job even doing his own singing. He out did himself. This is one of my favorite movies about the early rock 'n roll era. Is it all factually accurate? Of course not. Is Gary Busey's live singing and playing comparable to Buddy Holly? Of course not. It is, however, the definitive roll of Busey's career and not to be missed. Also, it's a great peek into a bygone time for a generation too young to have experienced the groundbreaking Buddy Holly and his peers. Watch the movie and then buy a real Buddy Holly CD and enjoy them both. Would buy again from this seller. Item arrived quickly, and in condition described. Thanks so much! This is one of my favorite movies. Sadly, Sony/Columbia Tristar has taken the "flipper" DVD from 1999 off the shelves with both wide and full screen versions and replaced with a lackluster fullscreen only version instead(this one os from 2005). I was lucky enough to find an older one brand new for the same price as the fullscreen DVD. Gary Busey, Don Stroud and Charle Martin Smith were great in this music biopic, some of it is, however fictitious. But even with that, this is one of my faves. It rocks! This movie is the other side of la Bomba: the other young rock and roll star who died in a plane crash in the winter of 1959. The songs done by Gary Busey are pretty good, but not right on. The idea that Richie Valenz and Buddy Holly might have gone on to be even better known and regraded as rock and roll stars has made people call the end of this movie :"the day the music died". I liked the movie and if Elvis had been on the plane instead of getting drafted, things might have been different. In the 60's the hunger for rock and roll brought us the Rolling Stones and the Beetles. Average Rating:![]() |
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Rock historians and hard-core Buddy Holly fans can and do take issue with director Steve Rash's 1978 biopic of the Lubbock, Texas, rocker's life: the script liberally juggles details from Holly's brief but blazing career, replacing producer Norman Petty and Holly's original bassist and drummer with fictionalized composite characters... |
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Attack (1956) [VHS]ReviewsI am soo thrilled (You have know I idea) that I found Attack, with J. Palance,Albert.(Creep) and L Marvin. I've told my bros. that I got it, and already they want to get their hands on it! It was in fantastic shape! I Will buy from the vendor again! Thanks so much. Steve The spine of this movie is the cowardice of a commanding officer, and the politics that put him and keeps him in that position. The story is told with stick figure characters, dull "on the nose" dialogue, and clueless combat scenarios. There are many fine war shows to choose from, this one is marginally watchable and a complete waste of your time. When I was a kid we went to the drive-in to see this movie. I was so young I never knew what the name of the movie was, but I had strong memories of the German tank and Jack Palance ever since. For all the years after, I only knew I had great admiration for Jack Palance and didn't really care for Eddie Albert. After I stumbled into the name of the movie, bought it and watched it, I realized those opinions of these two great actors were created from watching this movie so long ago in a drive-in. Remarkable plot and good characterization. These fine actors made you live the movie. We'll forever miss them, except in the great work they left behind like this movie. This movie started off ok, but it went downhill from there. The German Tanks looked like trucks with poles as gun barrels and it looked like it had been shot on a backlot in Hollywood. I can think of better movies to spend your money on. The Bottom Line: A bit stagy (you can definitely tell it was based on a play) with a lack of war action that belies the film's title, Attack nonetheless presents a different look at war and is all the better for it. Average Rating:![]() |
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Londons Times Funny Panel Hollywood Cartoons - Lauren Buddy Holly - Greeting Cards-12 Greeting Cards with envelopes |
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Lauren Buddy Holly Greeting Card is measuring 5.5w x 5.5h. Greeting Cards are sold in sets of 6 or 12. Give these fun cards to your frieds and family as gift cards, thank you notes, invitations or for any other occasion... |
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Londons Times Funny Panel Hollywood Cartoons - Lauren Buddy Holly - Greeting Cards-6 Greeting Cards with envelopes |
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Lauren Buddy Holly Greeting Card is measuring 5.5w x 5.5h. Greeting Cards are sold in sets of 6 or 12. Give these fun cards to your frieds and family as gift cards, thank you notes, invitations or for any other occasion... |
Charles Hardin Holley, known professionally as Buddy Holly (September 7, 1936 – February 3, 1959) was an American singer-songwriter and a pioneer of rock and roll. Although his success lasted only a year and a half before his death in an airplane crash, Holly is described by critic Bruce Eder as "the single most influential creative force in early rock and roll." His works and innovations inspired and influenced both his contemporaries and later musicians, notably The Beatles, The Beach Boys, The Rolling Stones, and Bob Dylan, and exerted a profound influence on popular music.
Holly was in the first group of inductees to the Rock and Roll Hall of Fame in 1986. In 2004, Rolling Stone ranked Holly #13 among "The Fifty Greatest Artists of All Time".
Early life
Charles Hardin Holley was born in Lubbock, Texas to Lawrence Odell Holley and Ella Pauline Drake on Labor Day, 1936. The Holleys were a musical family and as a young boy Holley learned to play piano, guitar, and fiddle. He was always known as Buddy to his family. In 1949, Buddy made a recording of Hank Snow's "My Two Timin' Woman" on a wire recorder "borrowed" by a friend who worked in a music shop[citation needed], his first known recording.
During the fall of that year, he met Bob Montgomery at Hutchinson Junior High School. They shared a common interest in music and soon teamed up as "Buddy and Bob". Initially influenced by bluegrass music, they sang harmony duets at local clubs and high school talent shows. In Lubbock, Holly attended Hutchinson Junior High School, which has a mural honoring him, and Lubbock High School, which has numerous features to honor the late musician. His musical interests grew throughout high school while singing in the Lubbock High School Choir.
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[phpbay]Buddy Holly, 9, "", ""[/phpbay]
Music career
Holly turned to rock music after seeing Elvis Presley sing live in Lubbock in early 1955. On October 15, he opened on the same bill with Presley, also in Lubbock, catching the eye of a Nashville talent scout. Holly's transition to rock continued when he opened for Bill Haley & His Comets at a local rock show organized by Eddie Crandall, who was also the manager for Marty Robbins.
As a result of this performance, on February 8, 1956, Decca Records signed him to a contract, on which his last name was misspelled as "Holly". That spelling was then adopted for his professional career. Holly formed his own band, though at that time it had no name. It would later be called the Crickets.
That year, he went to Nashville for three recording sessions with producer Owen Bradley. However, he chafed under a restrictive atmosphere that allowed him little input.[8] Among the tracks he recorded was an early version of "That'll Be The Day", which took its title from a phrase that John Wayne's character says repeatedly in the 1956 film, The Searchers. (This initial version of the song played more slowly and about half an octave higher than the later hit version.) However, Decca chose to release two other singles, "Blue Days, Black Nights" and "Modern Don Juan", which failed to make an impression. On January 22, 1957, Decca informed Holly that his contract would not be renewed, but insisted he not record the same songs for anyone else for five years.
Norman Petty Recording Studios in Clovis, New Mexico
Holly got Norman Petty to manage the group, and the band began recording at Petty's studios in Clovis, New Mexico. Petty started contacting music publishers and labels. Brunswick Records, a subsidiary of Decca, signed the Crickets on March 19. Soon after, Holly signed on as a solo artist with another Decca subsidiary, Coral Records. This put him in the unusual position of having two record contracts at the same time.
On May 27, "That'll Be The Day" was released as a single, credited to the Crickets to try to bypass Decca's legal rights. When it became a hit, Decca decided to overlook this. The song topped the US "Best Sellers in Stores" chart on September 23 and the UK Singles Chart for three weeks, beginning November 1. The Crickets performed it and another hit, "Peggy Sue", on The Ed Sullivan Show on December 1.
Holly managed to bridge some of the racial divide that marked rock n' roll. While Elvis made black music more acceptable to whites, Holly won over an all-black audience when the Crickets were booked at New York's Apollo Theater for August 16-22, 1956, though, unlike the immediate response depicted in the 1978 movie The Buddy Holly Story, it actually took several performances for the audience to appreciate his talents. In August 1957, the Crickets were the only white performers on a national tour, their first.
As Holly was signed to Decca both as a solo artist and as part of the Crickets, two debut albums were released: The "Chirping" Crickets on November 27, 1957 and Buddy Holly on February 20, 1958. Singles "Peggy Sue" and "Oh Boy!" cracked the top ten in both the U.S. and UK charts. Holly and the Crickets toured Australia in January and the United Kingdom in March. The third and last album, That'll Be the Day, was put together from early recordings and released in April. It has a poor reputation among critics, containing only one notable song, the title track.
Buddy Holly Live in New York With Peggy Sue 1959
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