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Reviews

The following is my own very personal take on this Paris recording, as I'm very familiar with all of Joe's recordings (live and studio) and attended many of his shows. I offer my very subjective review here, just to give some further perspective. Note I won't bubble over with never-ending fan praise or commentary as some others do, even though I could easily do that instead (as I'm a very long time fan of Satriani from the very beginning, and he is by far my favorite musical artist). This is a great Paris concert recording, simply a fantastic and virtuoso performance from Joe. Sonically the venue in Paris is different (larger, more concert-hall sounding) from his previous live recordings, so expect Joe's guitar to sound tonally a bit softer and with much more echoing-off-the-walls sound. Where his previous live recordings sounded like a front-seat position, this one in Paris sounds a bit more like a middle to back of the hall seat position. In this Paris concert: Within some parts of Joe's regularly played favorites, Joe gives a few new & interesting lick variants that sound/work very nicely - however he doesn't give the exciting and extended new interpretations and presentation of some of the old favorites, like he did in what I feel is his very best live recording, "Satriani Live!". I do really like the several new songs he included in this Paris concert lineup, that came from his latest studio CD. Also, I guess that I just don't buy into the fanboy-of-Stu-Hamm thing. While I have greatly enjoyed Stu Hamm's work for a long time, nevertheless after hearing Joe paired with the incredibly musical talent Dave LaRue in the "Satriani Live!" recording, I sure do wish Joe would simply keep LaRue on-board permanently. For example, in the Paris concert, Stu's bass volume and contribution is much less present than LaRue's was in the "Satriani Live!" recording. In this Paris concert's "Bass Solo", disappointingly Stu Hamm just does that same tired-old bass solo that we've all heard a million times by now, and that regular fans all know that he's now been repeating like a broken-record for around 20 years (i.e one-trick-pony-Stu). Also gone is that tremendously exciting and extraordinarily enjoyable Cool #9 blues duet between Joe's guitar and LaRue's bass that we heard in "Satriani Live!", as well as that overall and unbelievably good guitar and bass team magic from the "Satriani Live!" recording. The drum perfomance in the Paris concert is awesome but also just slightly less enthusiastic and inspired sounding as was found in the "Satriani Live!" performance. The backup & rhythm guitar however, is slightly better and more emphasized in the Paris recording. Make no mistake - I strongly and definitely believe that all Satriani fans will want to buy this CD (but probably not the DVD version as per other reviews) - but let's hope Joe will please retire Stu Hamm with all due honors, and then reclaim Dave LaRue for his future performances! Thanks for reading this.

Guitar great Joe Satriani continues to impress with his newest live release "Live in Paris; I Just Wanna Rock". You'll find all the old and new favorites on this outstanding live disc. From "Surfing with the Alien" to the title track "I Just Wanna Rock", this live recording captures Joe and his incredible band of Galen Hensen on rhytmn guitar, Jeff Campetelli on drums and the amazing Stuart Hamm on bass. Speaking of Hamm, there's a great bass solo aptly called "Bass Solo" on the cd, check it out. You won't be disappointed by this disc, unlike what I've read of the reviews of the dvd. This cd is incredible! Crank it up to 11.

A live masterpiece from Joe Satriani...simply put, he gets better with age. He has never sounded better and it shows on this explosive double cd. If you saw this tour you know how incredible it was, if not get this and hear what you missed. Master guitarist, master live performer....at the top of his game...5 stars plus.

I've really enjoyed this CD set, and have a special fondness for it since I saw his show on this tour when he played in Albuquerque. I'll avoid the accompanying concert DVD like the plague, as every review for that item recommends, but the CD set was awesome. My only complaint is a song substitution. In the show I attended, he played the scintillating track Asik Vaysel, a really great song. But on this release, he substitutes it for the horribly boring and completely forgettable track Out Of The Sunrise. I didn't like this clunker on the studio album, and I sure don't like it here. It sounds like 80's easy listening music, and doesn't belong in Joe's otherwise impressive catalog. But, as I said, this is my only complaint. The rest of the CD set is incredible, and Joe is truly the master.

I was lucky enough to get my copy of Satriani's latest Live In Paris CD a few days early. Needless to say i have been wearing out my headphones and stereo. I am not going to do a track by track review - other Satriani fans here on Amazon will do a much better job than I ever could. Indulge me as I review this from a big picture perspective. Let's get this out of the way: Did we really need yet another live release from Joe only a few scant years after the last one? The answer is an emphatic YES! While it can certainly be argued that we really don't need anymore official live versions of Joe's "Big 5" songs ["Surfing...", "Always With Me...", "Satch Boogie", "Flying...", "Summer Song"] my assertion is that we absolutely do, provided Satch continues his recent pattern of stretching all his older songs out with looser arrangements as he did starting with the previous concert cd, the also excellent Satriani Live! set. Other thoughtful Satriani reviewers here on Amazon have recently caused me to reflect a bit on Satch's previous live recordings versus my own memories of his concert performances from 40+ shows over the last 25 years. My evaluation is that this pattern of loosening up his performances [specifically on his live CDs] is actually not a new phenomenon. In all the shows I have seen, Joe has always used his concert performances to stretch out musically, to make subtle yet sometimes dramatic changes to a song's studio arrangement, with the welcome result of breathing new life into familiar tunes, all the while remaining absolutely true to the original spirit of the songs. Viewed collectively [and as a linear progression of his continuing maturity as a musician], Joe's 5 official live solo releases [starting with side "B" of Dreaming #11, Disc 2 of Time Machine, Live In SF, Satriani Live! and now Live In Paris] reveal an artist at the peak of his musical powers, currently returning full circle, fully embracing the spirit of live improvisation he started out with [listen to the live "Memories" from Dreaming #11 to see what I mean]. While the Time Machine concert disc and Live In SF were great CDs and I am delighted to have them, I always thought they were just the slightest bit...sterile - with only a few exceptions, most every song on these releases captured Joe rendering nearly note for note reproductions of the studio tracks. Again, this is not necessarily a bad thing, especially for those purists who like their live performances to be as close to the studio versions as possible. While I do love this type of effort from some bands [notably Rush and Dream Theater, though DT does a brilliant job of balancing extreme improvisation with studio accuracy], I especially want to hear solo instrumentalists like Joe stretch themselves musically during their live shows. In combination with what I consider to be a surprisingly muted audio mix on the Live In SF CD, I think that is a key reason why I had such strongly positive reactions to Satriani Live! and now Live In Paris. These last 2 releases are much closer improvisationally IMO to Joe's first live recording, the seminal Dreaming #11 "B-side" featuring the "golden" lineup of Joe, Stu Hamm and Jonathan Mover. LIP really captures the Joe I remember seeing all those times throughout the years. So what makes Live in Paris so great? Sonically, LIP is just fantastic. Joe's mix is up front as always, but his tone is monstrously outstanding here. Every single note he plays comes through perfectly and with even more clarity and brilliance than on SL. In combination with some recent minor equipment changes, Joe's sound on LIP is best described as being gorgeously thick and incredibly muscular. The audio mix is equally superb for the rest of Joe's band as well. All due respects to the great Dave LaRue, but for my money, there is just no better bassist on earth to back Joe than virtuoso Stu Hamm, forever the "Round Mound Of Sound". And while Jeff Campitelli is certainly no Neil Peart, he is one of the best role-playing drummers around - confident, solid as a rock, he lays down a perfectly steady, lowkey foundation for Joe to work with. Rounding out the excellent wall of sound on LIP is the reliable Galen Henson, who's contributions on rhythm guitars and keys is always subtle, unobtrusive yet totally essential. To my ears, the audio mix on LIP is the finest live sonic snapshot of Joe's career thus far. From the perspective of a closet guitarist, Joe's technical performance on LIP is flawless. I have always marveled at how much fun he's having on stage and how ridiculously easy Joe makes things look live - the true masters always do, don't they? Of course, there are other faster guitarists out there [Paul Gilbert], other technical virtuosos [Petrucci, Malmsteen], other sonic perfectionists [Eric Johnson], other melodically "tasty" guitarists [Andy Timmons, Marco Sfogli, George Lynch, Michael Schenker] and even other flashier players out there [Vai]. But for me, Joe will forever be the consummate guitar player: the perfect synthesis of sheer technical perfection, improvisational brilliance and a musically melodic soul. Because of the fantastic audio mix, all of the subtle nuances of Joe's playing shine through on LIP - of course we have Satch's usual blistering solo runs and irresistably catchy melody hooks. But these subtleties are probably my favorite elements of Satch's style overall and are really the things that distinguish him from everyone else out there. Joe has long been a master at understanding the effectiveness of balancing volume dynamics and pacing, both within songs and from an overall setlist perspective [btw, people will inevitably complain about the setlist on LIP, but when you have a career as long and as prolificly productive as Joe's has been, it is just impossible to expect a definitive setlist that will please everyone]. Again, it is all the little things Joe adds to his playing that makes him so peerless - all those tiny grace notes, [musical] pick scrapes, slides, taps and attack dynamics, piercing harmonics, whammy flourishes [and outright whammy abuses!], finger picking and tapping, pitch-perfect bends, chord octaves, special effects [yes, Joe even channels Frampton with a Talk-Box on "I Just Wanna Rock"],.. - when employed by less capable, less mature, less restrained guitarists, all these technical accents tend to distract from the music. In Joe's case, he employs them all in exactly the right way at all the right times - to serve as little musical embellishments, always adding to the overall musical story Joe is telling. And like the consummate professional he is, Joe also knows exactly when to slow things down, playing in the pocket and allowing single notes to ring out endlessly with beautifully executed vibrato. Just a couple of words on the 7 PSATMOR tracks selected for LIP. Whether you liked PSATMOR or not, as a Satch fan you owe it to yourself to hear them played live - the treatment Joe gives them on LIP is fantastic and they all come fully alive here, often eclipsing the original studio cuts. And while it was a huge mistake for Joe to cut the excellent song "Ghosts" from the CD release of PSATMOR by making it iTunes exclusive, he more than atones for this by wisely including "Ghosts" on the LIP tracklist [I really wish all artists would realize that not everyone in the whole world is an iTunes slave/clone/lemming]. In any event, all of the PSATMOR tracks on LIP are simply amazing, especially the brooding "Musterion", the uptempo [and nearly ska-like] "Out Of The Sunrise" and the gorgeously beautiful renditions of "Revelation" and "Andalusia". There just isn't a musical low point on LIP. Of course, I'm biased and your mileage may vary, but... If you're a Satch fan, you're already buying LIP and the accompanying DVD. To you I say this: throw on your best headphones, close your eyes and let Joe and company take you on yet another killer musical ride. If you're new to Satriani, you just couldn't ask for a better sounding live introduction to the man and his artistry. After listening to this you'll likely understand why Joe is one of the most universally respected, globally admired and beloved rock musicians over the last 30 years. [And I can tell you from personal experience that Joe absolutely doesn't have a single molecule of "rock-star / guitar-god" disease in his entire body - he truly is an incredibly humble and genuinely nice guy, a devoted family man and husband who pays tribute to his wife by playing "Always With Me, Always With You" and/or "Rubina" every single show.] I can't wait to watch the highly touted LIP DVD. If it is visually as superlative as the CD sonically is, Satch fans have really hit the lottery this time around. [Edited: 02-04-2010: Hmm, re: the companion LIP DVD. It might not be as "highly touted" as I was led to believe. Some early Amazon reviews are in on the DVD and all complain about what appear to be horrible amount of ADD camera work and totally unnecessary special effects. I hope this is not the case as I haven't gotten my DVD yet, but I am now a bit worried...] You just can't survive [and flourish!] in the music industry as long as Joe has by simply being lucky. Here's to another 100 years of Joe making music the Satch way... Enjoy! cheers, -mariusar

Reviews

What a line up,what a wonderful album... When I first heard that these boys had gathered to make an album, I was little bit reluctant because I wasn't sure whether there would be real chemistry or we would see just another tasteless project with rock'n roll celebrities coming together...Now that I have listened the album, I can say that it rocks! You will bang your head and you will stomp your feet to Chickenfoot's rock. Thank you Chickenfoot for bringing back something that was long forgotten...

not so good but still worth a listen if not jsut for the heat sensitive case

Oh my lord! I can't believe the hype over this cd. With all due respect to Sammy and the boys, I love you guys but this is just plain ol' rehashed garbage. I was never much a fan of Hagar's lyrics but he was cool back in the day. Now he should just kick back at the Cabo Wabo and enjoy his Mas Tequilas. Satriani doesn't provide much here, Michael Anthony's bass is much of a no show, and Chad Smith Mr. Chili Pepper must have just felt like having some fun with some old farts when he decided to record with these guys. If this came out 25 years ago I would have been easier on them but please. If you're going to show the new generation what rock is all about then you better be ready to be at least a little bit original.

I have to admit that while I admired their individual talents in their respective 'other lives' I was never possessed to run out and buy the albums. This one however, floored me. These guys look and sound like they are having a ball and it really comes out in their music. How many times have great musicians sat in with each other and laid down some OK tracks but never really seemed to gel? Sometimes it works, sometimes it doesn't. This one does, beyond a shadow of a doubt. This album alone would seal their place in the R&R Hall of Fame.

I bought this CD for my rocker son. He loves it! I listened to it & I love it, too! The combo of Joe's screamin' guitar & Sammy's throaty voice is amazing!

Reviews

Why... why did they do it? Music is beautiful and performances are brilliant. But... DVD IS UNWATCHABLE. Simply terrible. Do not buy it, check it on Amazon video or YouTube first and see for yourself. Editing and video "effects" are ridiculous and they simply ruined everything with them. So - buyer beware, as they say. Do not buy this.

I was quite skeptical of buying this dvd. As the last cd didn't quite do much for my interests. However, Joe goes back to the earlier aspects of his live performance days. Mixing new and old songs, plus the visual effects were a cool touch. Taking away from anything being "boring". Instead, you're left with Satriani doing his thing and captivating audiences, even through a dvd. I was shocked to see it. Having been a fan of Joe Satriani since the latter half of high school (1989). Seeing him live a couple of times, plus owning the rest of the live dvd's. The musician line-up has changed, but having Stu Hamm back on this dvd makes the difference. His presence in this recorded show adds what Billy Sheehan does for Steve Vai's, "Live at the Astoria London". Believe me, I really appreciate having bought this dvd & cd.

I like some of Joe Satrianis music and some of it I just don't get. The same goes for this DVD. I had not yet heard Joe Satrianis "Professor Satchafunkulus" release. And I decided that since the DVD included a few songs from that CD album release, and since it was actually cheaper than the CD, I bought the DVD. I gambled and I lost. Joe Satrianis guitar playing is outstanding from a technical standpoint. Thats not the issue with the DVD. The production quality is good, the sound quality is good. None of that are issues. Putting aside the fact that I didn't "get" most of Joe's new material having heard it for the very first time, my main gripe with this DVD is the way it "over utilizes" special effects. It's almost as though Joe created this DVD for people who do drugs, so that they could look at the screen, see all the flashing, swirling, blinking video effects and say, "Cool Dude, Totally awesome" and other fun things of that nature. Honestly, all of that just gave me a headache. WAY, WAY too much reliance on special effects to the point of ruining the experience for me. My last gripe is related to the first song on the DVD entitled, "I Just Wanna Rock". The phrase was repeated throughout the song at least 10 times. I felt like I was being indoctrinated by someone who wanted to make me believe that is what I wanted to do during the song instead of just realizing that on my own in a natural way. If there was a noose in the room, I might have seriously considered hanging myself during the playback of this song. In summary, this is a terrible DVD in my honest opinion. If you haven't already had the pleasure of watching G3 - Live In Tokyo, I recommend buying that one instead. It blows this away. Sorry Joe. You have incredible talent. I'll just classify this DVD as a freak accident and hope it doesnt happen again. Save all the kaleidoscope material for a childrens DVD, if you decide to make one. Thanks.

Don't get the DVD get the CD. The DVD is the worst music video ever. Joe please FIRE that video editor, redo this video like for others we want to see you play not your editor play with his overlays and color changes(which never stop)

Ive been a Satch fan for over 10 years now. My small DVD colection consist, mostly, of stuff related to Joe (3 G3 concerts and now 3 JS concerts). Now, it is true that on this record theres a strong focus on the lighting and the back screen but for me this is refreshing and fun. I was lucky enough to see this concert in London and I did get to see Joe perform frome a close view and theres no doubt in my mind (and there never has been) of his mastery of the instrument and the quality of hes sound. The thing is, since Ive already seen so many videos of him performing... I liked the approach of this recording. Theres a stronger focus on the stage as a hole and on the sound rather than on Joes playing and tecnique. If you want a video that showcases Joes skills on a clear way I suggest hes previous DVDs (particularly hes ¨Live¨ dvd). If you would like something more music and sound oriented with a focus on lighting and overall performans of the band, this fits the bill a lot better.

Reviews

This DVD is a fantastic look at what I call the "Golden Age" of Joe Satriani. This was made soon after the release of The Extremist album and is a great inside look on the making of the first four albums of Satch (in my own humble opinion, the best four). In this DVD you get to see music videos, interviews from other famous guitar players, and an overall great inside look at Joe Satriani. This is just an amazing DVD for all Satch fans.

Some of the songs on the final output (CD) is different from what they where doing in this vhs, took me a while to get used to it, but turned out both are good in it's own respect.

... definitely worthwile. This DVD comprises the early Satriani video clips, from the first album 'till The Extremist. Authentic milestones in Joe's career such as Satch Boogie, Summer song or The Extremist are included along with interviews with him and other people of theiir team: musicians, sound engineers, producers. Unfortunately it's only 50 minutes long, that's the only reason I don't give it a full 5 stars. Anyway, I think no fan of Satriani should miss it.

A great insight to the man himself "Joe Satriani". One of the best guitarist of our era. enough said!!

I am hardcore fan of Satch. I own every cd he released, have seen him concert twice and have also met him twice. I also have a Satriani tatoo. This DVD is for us hardcore fans. Those of us who really love Satch and Vai will love this DVD. Others will find it interesting but its not one of those that focuses on the personal lives of the artists. This is about Satch's career and not his sex life. So those of you expecting to see groupies and drugs, check out the Motley Crue stuff. The DVD has all his MTV style videos that are just straight up embarassing. The videos were made mainly so that MTV could have a reason to expose Satch to a wider audience. I was seeing the Video of Big Bad Moon and going "OH MY GOD!" It was so corny I couldnt help laughing and feeling sorry at the same time. Satch is all about the music and no show. Period. Thats just him (from what I have seen and learnt). The Videos are horrible, but the songs are GREAT! The recording stuff is ok. They show about how he records and this and that. There are interviews of him and his producer talking about it. Its nothing great but since I love Satch so much, I was floored. Then there are some small live performances that make the DVD worth every penny you paid for it. He is the greatest guitarist to ever step in the universe. So you can judge for yourself! I recommend this mainly to hardcore Satriani fans (there are a few million). Highlight: Joe playing his acoustic guitar exclusively for the documentary.